Baladhoor - Poor mix of sentiment and action scenes
Working for a prestigious banner like Suresh Productions is a great opportunity and Raviteja got one such chance and pairing up with Anushka with whom he gave a hit like 'Vikramarkudu' is like a boon for him. Above all, the film has another highlight in the form of Krishna, who played an important role and he appeared on the screen after a long time especially in a full time role. On the other hand, the film has a director like Udayshankar, who earlier gave hit like 'Kalisundam Raa…' for the same banner. There were lots of expectations on the film but the audiences felt disappointed in the wake poor storyline with routine commercial formula.
Chanti (Raviteja) is a boy who did not spare anyone who resorts to injustice and who disregards women. His father is Purushottam (Chandramohan), who used to assist his elder brother Ramakrishna (Krishna) to run a real estate business. Theirs is a Rama-Lakshmana kind of relationship. At the same time, Chanti has the highest regard to his paternal uncle (pedananna) and could not spare anyone who do not respect to him. Once Chanti goes to their native village along with the entire family and comes across Bhanumati (Anushka). Bhanumati loses her heart to Chanti, when the latter thrashes goons who try to challenge Ramakrishna. Incidentally her father (Ahuti Prasad) too has high regard to Ramakrishna. Ramakrishna faces enmity from Pasupati (Pradeep Rawat) in business. The latter hatches many plans to defeat Ramakrishna but fails in every attempt. Once Chanti's sister in law faces problem with Pasupati's son and Chanti thrashes him. Irked over this, Pasupati's brother-in-law tries to attack Ramakrishna and he also gets a sound thrashing from Chanti. As a result, the engagement of Ramakrishna's daughter gets spoiled and the alliance breaks. Reacting to this, Purushottam necks out Chanti. How Chanti sets the things right? Did he able to convince the family who was supposed to accept his sister as their daughter-in-law? How Chanti thwarted the attempts of Pasupati to attack on the real estate business of Ramakrishna? Did Chanti accept Bhanumati's love? Answers to all these questions form part of the climax.
PERFORMANCE:
Raviteja's performance was not that energetic like his earlier films. However, he did his best in the hero's role. Moreover, it is a tailor-made role for him and hence there is no scope to change his body language for him. The film has his mark of instant comedy. Even the script writers too penned the scenes and dialogues to suit him well. Anushka looked quite slim and continued to expose her beauty to the maximum extent. At times, it appeared a little overdose too. The director and the choreographers chose to show her belly button and the waist to appease the mass audiences. Comedy by Sunil is okay, while the comedy track penned for Brahmanandam failed to tickle the funny bone of audiences. Krishna, who appeared on the screen in a little lengthy role after a long gap, remained a highlight for the film. Others like Chandramohan, Sameer, Raja Ravindra and Raviprakash are okay in their roles. Pradeep Rawat and Subbaraju showed their routine villainy.
TECHNICAL:
Radhakrishnan who gave the best music for 'Chandamama' failed to give catchy tunes to a mass hero like Raviteja. Except a couple of songs like 'Tella Cheera Okay…' and another song, none of the tunes were that good. The film runs in a commercial formula and the director could not perfectly match the sentiment and action scenes. The script has no novelty and the movement of the film was also not perfect. There were several abrupt beginnings and endings for many scenes. In a bid to highlight Raviteja's mass image, the script writer chose tailor-made scenes for the film which has no novelty. Even the action scenes were not that stylish and the audiences got a feel of watching a film in 80s and 90s. The romantic scenes between the hero and heroine, the timing of songs were also not apt. However, camera work by Balamurugan is somewhat good and the locations chose for the film are a little new as none of the Telugu films were shot in those locales earlier.
Remark:
With no freshness in the story, the audiences felt bored. The film appeared as a mixture of two, three films that came up on the Telugu screen earlier. But for Anushka's glamour and Raviteja mark comedy there is hardly anything to watch in the film. However, the film will have a chance of above average revenue in other centres and not in 'A' grade cities. Udayshankar's slipshod screenplay and direction resulted in a poor run of the film. Audiences were heard saying none of the songs are good and the Anushka's heavy dose of exposure is unnecessary and unwanted.
Cast: Raviteja, Anushka, Krishna, Chandramohan, Sunil, LB Sriram, Pradeep Rawat, Subbaraju, Paruchuri Venkateswara Rao, Ahuti Prasad, Sivaprasad, Sameer, Raja Ravindra, Suman Shetty, Mallikarjuna Rao, Raviprakash, Gundu Hanumanta Rao, Kadambari Kiran, Tirupati Prakash, Sumitra, Bhargavi and others
CREDITS:
Story – Lakshmi Bhoopal, Dialogues – Paruchuri Brothers, Music – KM Radhakrishnan, Camera – B Balamurugan, Editing – Marthand K Venkatesh,Presents – Dr D Ramanaidu, Producer – D Suresh Babu, Screenplay and direction – Udayshankar.
Banner: Suresh Productions
Chanti (Raviteja) is a boy who did not spare anyone who resorts to injustice and who disregards women. His father is Purushottam (Chandramohan), who used to assist his elder brother Ramakrishna (Krishna) to run a real estate business. Theirs is a Rama-Lakshmana kind of relationship. At the same time, Chanti has the highest regard to his paternal uncle (pedananna) and could not spare anyone who do not respect to him. Once Chanti goes to their native village along with the entire family and comes across Bhanumati (Anushka). Bhanumati loses her heart to Chanti, when the latter thrashes goons who try to challenge Ramakrishna. Incidentally her father (Ahuti Prasad) too has high regard to Ramakrishna. Ramakrishna faces enmity from Pasupati (Pradeep Rawat) in business. The latter hatches many plans to defeat Ramakrishna but fails in every attempt. Once Chanti's sister in law faces problem with Pasupati's son and Chanti thrashes him. Irked over this, Pasupati's brother-in-law tries to attack Ramakrishna and he also gets a sound thrashing from Chanti. As a result, the engagement of Ramakrishna's daughter gets spoiled and the alliance breaks. Reacting to this, Purushottam necks out Chanti. How Chanti sets the things right? Did he able to convince the family who was supposed to accept his sister as their daughter-in-law? How Chanti thwarted the attempts of Pasupati to attack on the real estate business of Ramakrishna? Did Chanti accept Bhanumati's love? Answers to all these questions form part of the climax.
PERFORMANCE:
Raviteja's performance was not that energetic like his earlier films. However, he did his best in the hero's role. Moreover, it is a tailor-made role for him and hence there is no scope to change his body language for him. The film has his mark of instant comedy. Even the script writers too penned the scenes and dialogues to suit him well. Anushka looked quite slim and continued to expose her beauty to the maximum extent. At times, it appeared a little overdose too. The director and the choreographers chose to show her belly button and the waist to appease the mass audiences. Comedy by Sunil is okay, while the comedy track penned for Brahmanandam failed to tickle the funny bone of audiences. Krishna, who appeared on the screen in a little lengthy role after a long gap, remained a highlight for the film. Others like Chandramohan, Sameer, Raja Ravindra and Raviprakash are okay in their roles. Pradeep Rawat and Subbaraju showed their routine villainy.
TECHNICAL:
Radhakrishnan who gave the best music for 'Chandamama' failed to give catchy tunes to a mass hero like Raviteja. Except a couple of songs like 'Tella Cheera Okay…' and another song, none of the tunes were that good. The film runs in a commercial formula and the director could not perfectly match the sentiment and action scenes. The script has no novelty and the movement of the film was also not perfect. There were several abrupt beginnings and endings for many scenes. In a bid to highlight Raviteja's mass image, the script writer chose tailor-made scenes for the film which has no novelty. Even the action scenes were not that stylish and the audiences got a feel of watching a film in 80s and 90s. The romantic scenes between the hero and heroine, the timing of songs were also not apt. However, camera work by Balamurugan is somewhat good and the locations chose for the film are a little new as none of the Telugu films were shot in those locales earlier.
Remark:
With no freshness in the story, the audiences felt bored. The film appeared as a mixture of two, three films that came up on the Telugu screen earlier. But for Anushka's glamour and Raviteja mark comedy there is hardly anything to watch in the film. However, the film will have a chance of above average revenue in other centres and not in 'A' grade cities. Udayshankar's slipshod screenplay and direction resulted in a poor run of the film. Audiences were heard saying none of the songs are good and the Anushka's heavy dose of exposure is unnecessary and unwanted.
Cast: Raviteja, Anushka, Krishna, Chandramohan, Sunil, LB Sriram, Pradeep Rawat, Subbaraju, Paruchuri Venkateswara Rao, Ahuti Prasad, Sivaprasad, Sameer, Raja Ravindra, Suman Shetty, Mallikarjuna Rao, Raviprakash, Gundu Hanumanta Rao, Kadambari Kiran, Tirupati Prakash, Sumitra, Bhargavi and others
CREDITS:
Story – Lakshmi Bhoopal, Dialogues – Paruchuri Brothers, Music – KM Radhakrishnan, Camera – B Balamurugan, Editing – Marthand K Venkatesh,Presents – Dr D Ramanaidu, Producer – D Suresh Babu, Screenplay and direction – Udayshankar.
Banner: Suresh Productions
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